Thierry Colson studied fashion design at Studio Berçot in Paris between 1979 and 1981 — and returned there a year later to teach. He would spend the better part of a decade passing on his craft before stepping out into a career that would take him across the most compelling chapters of late twentieth-century fashion.

Through the 1990s, Colson moved fluidly between creation and editorial: designing at Chloé under Martine Sitbon, collaborating with the legendary art director Marc Ascoli at Jil Sander, contributing to Anna Molinari's Blue Marine. Alongside this, he built a parallel fluency in fashion communication — working in PR, marketing and commercial roles for Louis Vuitton, Kookaï and L'Oréal — developing a rare understanding of the industry in its entirety, from the studio to the shop floor.

The following decade brought him to the heights of fashion media. As fashion editor at Vogue Homme International, and later at Numéro and Madame Figaro, he honed an image-making sensibility that was at once rigorous and deeply personal.

His creative consulting work for Hermès — across shows, campaigns and broader creative direction — placed him at the centre of some of the most refined visual thinking in luxury fashion.

In 2009, he founded his eponymous house. Everything that came before — the craft learned and taught at Berçot, the editorial gaze, the intimacy with luxury from the inside — converged into a singular vision.